Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Unknow work 40 | Unknow work 108 | med sin mamma | Unknow work 5 | Kaikroddare |
Related Artists:
hersent
(March 10, 1777 C October 2, 1860) was a French painter. Portrait of Sophie Crouzet, by Louis HersentBorn in Paris, he became a pupil of David, and obtained the Prix de Rome in 1797. In the Salon of 1802 appeared his "Metamorphosis of Narcissus," and he continued to exhibit with rare interruptions up to 1831. His most considerable works under the empire were "Achilles parting from Brisis," and "Atala dying in the arms of Chactas" (both engraved in Landon's Annales du Musee);
Semyon Fyodorovich Shchedrin
(1745-1804) was a Russian landscape painter, the uncle and mentor of Sylvester Shchedrin. He was born in St. Petersburg into the family of a life guard. In 1759, he entered the Academy of Arts in St. Petersburg, and in 1765 graduated with a gold medal and grants to study abroad. Shchedrin ventured to Paris, then to Rome. In Paris he studied the works of old and contemporary painters. Under the influence of Rousseau's idea that beauty exists not only in classic patterns of arts but also in everyday life and nature, Shchedrin worked much en plein-air, otherwise known as painting in outdoor environments. In Rome, however, he fell under the influence of classicism, the idea that art should reflect the works of antiquity and thus prolong their successes. Shchedrin returned to St. Petersburg in 1776 and became a professor of landscape painting in the Academy of Arts. He was assigned to draw views of the palaces and parks of Catherine the Great, which brought into existence such works as View of the Large Pond Island in the Tsarskoselsky Gardens (1777), View of the Large Pond in the Tsarskoselsky Gardens (1777), View of the Farmyard in the Tsarskoye Selo (1777). After 1780, Shchedrin also participated in the restoration of pictures in the Hermitage, and in 1799 he headed a new class of landscape graphics. The pinnacle of his art career came in the 1790s. The most famous of his works of the period are views of parks and palaces in Pavlovsk, Gatchina, and Petergof: The Mill and the Peel Tower at Pavlovsk (1792), View of the Gatchina Palace from the Silver Lake (1798), View of the Gatchina Palace from Long Island (1798), The Stone Bridge at Gatchina (1799-1801), View of the Kamennoostrovsky Palace through Bolshaya Nevka from the Stroganov Seashore (1803).
Theobald Michau
Michau (1676 Tournai - Antwerp 1765) was a conservative Flemish painter of landscapes, more famous in his own time than he is today. He was a pupil of Lucas Achtschellinck. Subjects of the country festivals (Kermesse) that were popularized by David Teniers, father and son to the extent that paintings and tapestries showing such rustic themes were called Tenieres. Michau painted designs and perhaps provided full-scale cartoons for tapestry weavers, for surviving records of the Brussels tapestry workshop of Pieter van der Borcht record Teniers peints par le fameux Sr Michau, such Teniers-like subjects painted by "the famous Sieur Michau". Among his work, on wooden or copper panels, in public collections are the Summer and Winter landscapes in Vienna